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14-Jan-2018 15:46

JS: Yes, that was a big conversation before the movie.Kevin Bewersdorf and Chris Wells were my two big collaborators on that.And I think it did come from the usefulness of having all of these creative people on set. How did that come to be so much part of your style?And additionally, on Hannah Take the Stairs the crew was just me-I was operating camera and directing-and then Kevin Bewersdorf was doing sound. Early in in my career I wasn't even working from outlines the way I am now. JS: I think I was just noticing that the inevitable creep of this stuff into everyone's lives.

Miriam Bale: One thing I think is interesting is that you improvise all your films, but they're definitely different than, say, improv comedy. Neither shot is usually the best shot, because you're usually worried about getting the other camera in there.

And then suddenly, I can't do what I had wanted and I have to come up with this third thing that's going to make the scene work.

And if you have two cameras you just don't run into that problem.

I met up with Joe Swanberg during a complete retrospective of his films in San Francisco last year.

The 32-year-old had made thirteen films at that time, not including shorts and television, and has released three more films since.

It didn't feel futuristic, it felt very of this time.